On one of his mid 90s record digs in the United States, Nick Faber saw his latest breakbeat scavenger hunt across southern Florida interrupted by a weathered, brow-beaten musician in his late fifties playing guitar in the street.
Transfixed by the powerful and eerie blues coming from a steel guitar played with brass slide and dextrous fingers, Faber came across the life-experienced wanderer again the next day and the next. Sounding like something straight out of an Alan Lomax recording, the bluesman – who referred to himself simply as ‘Bison’ on account of the lucky nickel he wore around his neck – said he moved from town to town playing his guitar for food and whiskey.
Using a portable minidisc player to make field recordings of the player’s acoustic and electric slide guitar, Faber vowed to take them back to the UK and tell everyone about this unassuming guitar hero….only for his mirage-like muse to have hit the road the next day, presumably on the next leg of his drifter’s existence.
Faber returned to the UK and the recordings gathered dust, almost lost to fading memory. Until twenty years later, when he stumbled across a young singer busking on London’s rainy pavements, playing harmonica blues and pining for sunnier climes. Faber made the missing link between the performers old and new, and began to record and mould his newfound subject as was his original intention decades earlier.
Now the tracks are ready for the world to hear, as Nick Faber presents his own versions of these Lost Highway Tapes.